a fool in the forest

Epigraphs

  • A fool, a fool! I met a fool i' the
        forest,
    A motley fool; a miserable world!
    As I do live by food, I met a fool
    Who laid him down and bask'd him
        in the sun,
    And rail'd on Lady Fortune in good
        terms,
    In good set terms and yet a motley
        fool.

    As You Like It,
    Act II, Scene 7

    L'homme y passe à travers des
        forêts de symboles
    Qui l'observent avec des regards
        familiers.

    Les Fleurs du Mal,
    “Correspondances”

    [T]here is almost no subject-matter, and what little one can disentangle is foolish....
    One would call the style verbose, except that by definition verbosity is the use of words in excess of the occasion, and there seems to be no occasion.

    Yvor Winters,
    Forms of Discovery, Ch. 7


    Best Personal Blog
    by a Legally-Oriented
    Male Blogger

    Blawg Review Awards 2005

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April 05, 2004

Versus to Verses

More news on the "Lawyers and Poetry" front. Sunday's Los Angeles Times reported on the efforts of the Daily Journal -- a law-oriented newspaper with editions in Los Angeles and San Francisco -- to highlight attorneys' attempts to serve the muse with a new weekly column alliteratively entitled "Barristers and Bards."

In his introduction, Martin Berg, the San Francisco edition's editor in chief (and now poetry editor), writes, 'Both lawyers and poets often deal with conflict and complex emotions, in the context of precise language and form.' The poetry column, he notes, is a way to show readers 'another dimension of the lives of lawyers.'

Lawyer-poets have a strong lineage in American history. Wallace Stevens, Edgar Lee Masters and Archibald MacLeish all practiced law; Oliver Wendell Holmes Jr. was an associate justice on the U.S. Supreme Court.

There's a myth that lawyers' briefs and articles are 'badly written, verbose and in Latin,' says the L.A. edition's legal editor Jordan Elgrably. Another misconception, he adds, is that lawyers are 'not good with language, except for arguments.

'So the Daily Journal is a perfect forum to expose the work [of lawyer-poets] to a wider public.'

The column's inaugural poem, 'Commonwealth v. Wright' by Philadelphia attorney Richard S. Bank, describes a young girl's tragic death in language as eloquent as many a closing argument: 'A few days before the incident / Lorraine, age thirteen / had come to Mrs. Fanning's apartment/ in the middle of the night / with her brothers and sisters still in bedclothes / explaining that the appellant had attempted / some sort of sexual contact….'

Although Bank's poem has a legal focus, 'Barristers and Bards' is not limited to court sonnets or blank verse from the bar. Anyone with a law degree can submit a poem.

Realistically, the "wider public" to which the versifying advocates will be exposed is a public made up almost entirely of other lawyers: the Daily Journal's usual focus on purely law-related news does not attract a particularly broad audience outside of the profession, and the ability of interested readers to track down the new poetry column will be hampered more than somewhat by the Journal's backward-looking policy of making none of its content available to non-subscribers online. Not that there's anything unusual about lawyers speaking mostly to one another.

[Earlier installments on this topic available here and here.]

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» Good three-dot Monday from L.A. Observed
First, from the swirl of politics. Newsweek puts Antonio Villaraigosa on the cover of Monday's issue, using his landslide election as the peg for a story about Latino power. An accompanying piece on the mayor-elect is by Andrew Murr of the L.A. bureau,... [Read More]

» Good three-dot Monday from L.A. Observed
First, from the swirl of politics. Newsweek puts Antonio Villaraigosa on the cover of Monday's issue, using his landslide election as the peg for a story about Latino power. An accompanying piece on the mayor-elect is by Andrew Murr of the L.A. bureau,... [Read More]

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